Gregorian Chant, that 1300-year old art form, has recently made a comeback as a pop genre… Although various books and websites offer help in deciphering the square-note notation printed on unfamiliar four line staffs, experienced professionals as well as curious newcomers will want to explore A Gregorian Chant Master Class, an instructional handbook and CD from the Abbey of Regina Laudis, in Bethlehem, Connecticut….The musical examples are expertly sung, and aptly illustrate each topic.…Surely there is something here for everyone (even, perhaps, fans of "Gregorian Chill-out") in this beautifully presented volume.
From a review in Opera News, by Judith Malafronte
This last gift from the legacy of Theodore Marier will help us move toward clarity amid the chaos and cacophony of present day liturgical music. Even the least skillful choir will find that these clear instructions and well-recorded examples will make it possible for them to sing the Chant - which the Second Vatican Council continued to hold up as the ideal of Church music - with beauty and appeal.
Thomas H. Connolly Professor Emeritus of Music,
University of Pennsylvania
Not only is the book a treasure because of its content, but it is beautiful to behold; the printing and design is done with such care and distinction - I don't know another like it.
Ronald Arnatt, D. Mus., Director of Music, St. John's Episcopal Church, Beverly, Massachusetts
Specific topics are addressed (it is cheering that the first chapter is "Legato"), for the basics of modal scales and ensemble (the phrase "control of the vowel" is wonderfully non-violent) to the complex matters of notation and expression (within the traditions set forth in the nineteenth century by the monks of Solesmes Abbey in France). One topic builds on another as the subtleties and refinements of this repertoire are revealed.
The musical examples are expertly sung, and aptly illustrate each topic with regard to the supple inner groupings of two and three notes, which when observed and executed properly, animate and invigorate the vocal line.
A clever fold-out cover details all the notational devices and their meaning and the appendix includes … Psalm tones, a basic chant repertory and rules for finding the rhythmic inflections. Surely there is something here for everyone (even, perhaps, fans of "Gregorian Chill-out") in this beautifully presented volume."
From a review in Opera News, by Judith Malafronte
A fascinating window into the Solesmes approach to singing chant .... The recorded excerpts by the professed nuns of Regina Laudis and the professional male singers of the Stamford Schola Gregoriana reveal the extraordinary powers of the Solesmes method to shape chant performance. A Gregorian Chant Master Class represents a practical and historical document of rare value.
Alexander Blachly, Professor and Director of Choral Music University of Notre Dame, 1992 recipient of the Noah Greenberg Award given by the Musicological Society to stimulate historically aware performances and the sturdy of historical performing practices.
I had years of singing, but absolutely no experience singing in choir or directing a choir, and no experience at all with Gregorian chant....
For months I pieced together what I needed from a variety of books....Then a couple of weeks ago I received my copy of Dr. Marier's work. I wish I had purchased this first! This book and CD is EXACTLY what the burgeoning parish schola needs to get started. The exercises are simple, basic, and just what are needed to learn chant BY DOING, not just in theory....With this tool, every beginning schola can have the benefit of an experienced master to guide them.
Matthew A.C. Newsome
Director of the Sancta Maria Gregorian Schola Sylva, North Carolina
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